SA ILLUSTRATED: From the street
2 JUNE TO 5 AUGUST 2012
Free Admission
Although more than a century apart, South Australian street artists share with
colonial artists an acute awareness of place. Using the visual languages of the street including
paste-ups, stenciling and aerosol painting, contemporary artists Ali Baker, James Dodd and Peter
Drew have responded to the Gallery’s colonial archive.
In
Unfinished Peter Drew has taken the Gallery’s enigmatic self-portrait of Colonial William
Light and created his own version. Drew has invited twelve other South Australian artists to create
their versions of the portrait in their signature styles. During the course of the exhibition these
portraits will slowly disappear from the Art Gallery, ending up on the very streets that Light
played a role in designing.
James Dodd has, for several years, explored the tension between the art of the street and
that collected by institutions. In
Morialta Falls, he uses street art processes such as stencilling and aerosol to remake the
picturesque landscapes that originally appeared in an anthology of text and illustrations printed
by J.W. Giles. Dodd continues to investigate these ideas in a second, temporary public work of art,
which assumes the form of a bus stop, on North Terrace. The bus stop borrows imagery from the Art
Gallery’s colonial collection, including Eugene von Guerard’s celebrated view from Mt Lofty.
Ali Baker uses photography to investigate the representation of Aboriginal people and contest
colonisation. In this a series of large portraits of her female Aboriginal friends, titled Bow down
to the Sovereign Goddess, Baker re-invigorates the historical genre of portraiture. These powerful
women hold white, colonial style frames which symbolise the burden of the past. By holding and
controlling the frames and by returning the gaze, Baker’s sovereign goddesses contest white
representation.
Their work is currently on display both in the Gallery and on the streets of
Adelaide.
Principal Supporter
James Dodd’s Bus Stop project has been generously supported by
left: Colonel William Light, Australia, 1786 - 1839, Self portrait, c.1839, Adelaide, oil on
canvas, 58.1 x 42.2 cm, gift of G.G. Mayo on behalf of his father, the late George Mayo, F.R.C.S.
1905, Art Gallery of South Australia, Adelaide
right: Peter Drew, Portrait of Light (after Colonel William Light’s Self Portrait, c.1839),
2011, stencil and aerosol
left: James Dodd, Australia, born 1983, Robin Falls, Adelaide, 2011, acrylic on canvas, 198.0
x 137.0 cm; Courtesy of the artist and Hugo Michell Gallery, Adelaide
right: H.J. Johnstone, 1835–1907, The waterfall, Morialta S.A., 1882, Britain, oil on canvas,
100.5 x 70.0 cm; South Australian Government Grant 1976, bottom right:
Ali Baker, Sovereign Goddess Tracey, 2011, archival inkjet print, 59.5 x 42 cm, courtesy of
the artist
