|
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|
after MICHELANGEO Buonarroti
Seated man with drapery
|
|
|
after PREMIER ENGRAVER
Hercules and Antaeus
|
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|
after RAPHAEL
Hercules and the Nemean Lion
|
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|
after RAPHAEL
Raphael and his mistress
|
|
|
after RAPHAEL
The Queen of Sheba visiting King Solomon
|
|
|
after RAPHAEL
The Sibyl of Tibur and the Sibyl of Cusana
|
|
|
after RAPHAEL
Faun playing with a child
|
|
|
after RAPHAEL
Martyrdom of St Cecilia
|
|
|
after RAPHAEL
Poetry
|
|
|
after RAPHAEL
The battle of the Milvian bridge from the sala di Constantino
|
|
|
after RAPHAEL
The Massacre of the Innocents
|
|
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|
AIKMAN, after William
Allan Ramsay
|
|
|
|
ALBERTI, Cherubino
Seated man with drapery
|
|
|
ALBERTI, Cherubino
Abraham and Isaac
|
|
|
ALBERTI, Cherubino
Autumn? or Perseus in the Garden of the Hesperides (part II)
|
|
|
ALLOJA, Giuseppe
Dogs hunting boar and deer
|
|
|
ALLOJA, Giuseppe
Lions, bulls and deer
|
|
|
ALLOJA, Giuseppe
Two cupids mounted on goats
|
|
|
ANDREWS, Sybil
Storm
|
|
|
ANNIS, W.T.
The Mildmay sea-piece
|
|
|
APPIAN, Adolphe
La Rivière
|
|
|
|
AQUILA, Pietro
The battle of the Milvian bridge from the sala di Constantino
|
|
|
AQUILANO, after Pompeo
Christ and Mary Magdalene
|
|
|
AQUILANO, after Pompeo
The descent from the cross
|
|
|
BALDUNG, called GRIEN, Hans
The bewitched groom
|
|
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|
BALDUNG, called GRIEN, Hans
Wild horses fighting
|
|
|
BAMLER, Johann
Animals
|
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|
BAMLER, Johann
St Quentin
|
|
|
BAMLER, Johann
The beheading of Saints Faith, Hope, Charity and Wisdom
|
|
|
BANDINELLI, after Baccio
The Massacre of the Innocents
|
|
|
BAROCCI, after Federico
Aeneas and his family fleeing Troy
|
|
|
|
BARTOLOZZI, Francesco
The death of Captain Cook
|
|
|
|
BASELITZ, Georg
Das Haus [The house]
|
|
|
|
BASELITZ, Georg
Die Vase [The vase]
|
|
|
|
BASELITZ, Georg
Eagle
|
|
|
BEARDSLEY, Aubrey
How la beale Isoud wrote to Sir Tristram
|
|
|
BEARDSLEY, Aubrey
How Sir Bedivere cast the sword Excalibur into the water
|
|
|
BEARDSLEY, Aubrey
Queen Guenever as a nun
|
|
|
|
BEATRIZET, Nicolas
The Massacre of the Innocents
|
|
|
|
BECKMANN, Max
Self portrait
|
|
|
|
BECKMANN, Max
The beggars (Die Bettler)
|
|
|
BEGA, Cornelis
Tavern interior
|
|
|
BELLOTTO, Bernardo
A view of Padua from the fortifications, seen through arches
|
|
|
BERTHON, Paul
Sarah Bernhardt
|
|
|
|
BINCK, after Jacob
Jacob Binck
|
|
|
BISCAINO, Bartolomeo
Moses rescued from the Nile
|
|
|
BLAKE, William
Job and his Family
|
|
|
BLAKE, William
Job's despair
|
|
|
BLAKE, William
The Circle of the Lustful: Paolo and Francesca
|
|
|
BLAKE, William
The Destruction of Job's sons
|
|
|
BLAKE, William
The Lord answering Job out of the whirlwind
|
|
|
BLOEMAERT, after Abraham
Landscape with cottage and two figures with baskets
|
|
|
|
BOCK, Christoph Wilhelm
D. Wilhelm Friedrich Hufnagel
|
|
|
BOL, after Hans
Landscape with hunters and falconers
|
|
|
BOLDRINI, After Niccolò
Samson and Delilah
|
|
|
BOLDRINI, After Niccolò
The mystic marriage of St Catherine
|
|
|
BOLDRINI, Niccolò
Venus and Cupid
|
|
|
|
BOLSWERT, Boëtius Adamsz.
Landscape with cottage and two figures with baskets
|
|
|
BOLSWERT, Schelte Adamsz.
Spanish landscape with a goatherd
|
|
|
|
BOLSWERT, Schelte Adamsz.
Diana and her nymphs returning from the chase
|
|
|
BONASONE, after Giulio
Pluto on his chariot descending to Hades
|
|
|
BONASONE, Giulio
Last Judgement
|
|
|
BONAVERA, Domenico Maria
An apostle accompanied by six angels
|
|
|
BONAVERA, Domenico Maria
An apostle and four angels
|
|
|
|
BORGIANNI, Orazio
The Queen of Sheba visiting King Solomon
|
|
|
BOSCOLI ?, after Andrea
Apollo and the Python
|
|
|
BOTH, Jan
Ponte Molle
|
|
|
BOTH, Jan
The ox-cart
|
|
|
|
BOURGEOIS, Louise
[Has the day invaded the night or has the night invaded the day?]
|
|
|
|
BOURGEOIS, Louise
La Nausée
|
|
|
|
BOURGEOIS, Louise
La Réparation
|
|
|
|
BOURGEOIS, Louise
La Réparation
|
|
|
|
BOURGEOIS, Louise
M is for Mother
|
|
|
|
BOURGEOIS, Louise
Spiral woman
|
|
|
|
BOURGEOIS, Louise
The cocoon
|
|
|
|
BOURGEOIS, Louise
The couple
|
|
|
|
BOURGEOIS, Louise
The happy house
|
|
|
BOYDELL, Josiah
Portrait of Claude Lorrain
|
|
|
BRACQUEMOND, Felix
Moles
|
|
|
|
BREAKEY, Kate
Almonta Dunes, Coffin Bay National Park
|
|
|
|
BREAKEY, Kate
Full Moon Rising, Mid-North, South Australia
|
|
|
|
BREAKEY, Kate
Little Eucalyptus Tree, Wanilla Forest, Eyre Peninsula, South Australia
|
|
|
|
BREAKEY, Kate
Looking towards Tent Hill, Near Whyalla, South Australia
|
|
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|
BREAKEY, Kate
Nest, Kellidie Bay Eyre Peninsula, South Australia
|
|
|
|
BREAKEY, Kate
Road North of Port Augusta
|
|
|
|
BREAKEY, Kate
Single wave, Coffin Bay, South Australia
|
|
|
|
BREAKEY, Kate
Trees, Pine Hut Road, South Australia
|
|
|
BRIL, after Paul
Mountainous landscape with travellers
|
|
|
BRITTO, attributed to Giovanni
Landscape with a milkmaid
|
|
|
BROCAS, William
Harmony before matrimony
|
|
|
|
BROCKHURST, Gerald L.
The Amberley Boy
|
|
|
BRUEGEL the Elder, after Pieter
Gluttony (Gula)
|
|
|
BRUEGEL the Elder, after Pieter
Pride (Superbia)
|
|
|
BRUEGEL the Elder, after Pieter
Spring
|
|
|
BRUEGEL the Elder, after Pieter
Summer
|
|
|
|
BRYEN, Camille
Plate 6
|
|
|
|
BUONTALENTI, after Bernardo
Apollo and the Python
|
|
|
BURNE-JONES, after Edward
The summer snow
|
|
|
|
BUYTEWECH, after Willem
Fire
|
|
|
BUYTEWECH, after Willem
Water
|
|
|
|
BYRNE, William
The death of Captain Cook
|
|
|
called TITIAN, after Tiziano Vecellio
The Martyrdom of St. Peter of the Order of the Preaching Friars
|
|
|
|
called TITIAN, after Tiziano Vecellio
Samson and Delilah
|
|
|
|
called TITIAN, after Tiziano Vecellio
The mystic marriage of St Catherine
|
|
|
|
called TITIAN, after Tiziano Vecellio
Venus and Cupid
|
|
|
|
called TITIAN, after Tiziano Vecellio
Landscape with a milkmaid
|
|
|
CALLOT, Jacques
Attack on a coach (l'attaque de la dilligence)
|
|
|
CALLOT, Jacques
Bello Sguardo and Coviello
|
|
|
CALLOT, Jacques
Cap. Babeo and Cucuba
|
|
|
CALLOT, Jacques
Cap. Bonbardon and Cap. Grillo
|
|
|
CALLOT, Jacques
Cap. Cardoni and Maramao
|
|
|
CALLOT, Jacques
Cap. Ceremonia and Sig. Lavinia
|
|
|
CALLOT, Jacques
Cap. Esgangarato and Cap. Cocodrillo
|
|
|
CALLOT, Jacques
Cap. Malagamba and Cap. Bellavita
|
|
|
CALLOT, Jacques
Cap. Spessa Monti and Bagattino
|
|
|
CALLOT, Jacques
Cicho Sgarra and Collo Francisco
|
|
|
CALLOT, Jacques
Cucorongna and Pernoualla
|
|
|
CALLOT, Jacques
Destruction of a convent (Dévestation d'un monastére)
|
|
|
CALLOT, Jacques
Distribution of rewards (Distribution des récompenses)
|
|
|
CALLOT, Jacques
Dying soldiers by the roadside (Les mourants sur le bord des routes)
|
|
|
CALLOT, Jacques
Fracischina and Gian Farina
|
|
|
CALLOT, Jacques
Franca Trippa and Fritellino
|
|
|
CALLOT, Jacques
Frontispiece
|
|
|
CALLOT, Jacques
Frontispiece
|
|
|
CALLOT, Jacques
Gian Fritello and Ciurlo
|
|
|
CALLOT, Jacques
Guatsetto and Mestolino
|
|
|
CALLOT, Jacques
Pasquariello Truonno and Meo Squaguava
|
|
|
CALLOT, Jacques
Pillage of a farm (Le pillage d'une ferme)
|
|
|
CALLOT, Jacques
Plundering and burning a village (Pillage et incendie d'un village)
|
|
|
CALLOT, Jacques
Pullicinello and Sig. Lucretia
|
|
|
CALLOT, Jacques
Razullo and Cucurucu
|
|
|
CALLOT, Jacques
Recruitment of troops (L'enrôlement des troupes)
|
|
|
CALLOT, Jacques
Riciulina and Metzetin
|
|
|
CALLOT, Jacques
Scapino and Cap. Zerbino
|
|
|
CALLOT, Jacques
Scaramucia and Fricasso
|
|
|
CALLOT, Jacques
Scene of pillage (La maraude)
|
|
|
CALLOT, Jacques
Sig. Lucia and Trastullo
|
|
|
CALLOT, Jacques
Smaraolo Cornuto and Ratsa di Boio
|
|
|
CALLOT, Jacques
Taglia Cantoni and Fracasso
|
|
|
CALLOT, Jacques
The battle (La Bataille)
|
|
|
CALLOT, Jacques
The culprits discovered (Découverte des malfaiteurs)
|
|
|
CALLOT, Jacques
The firing squad (L'arquebusade)
|
|
|
CALLOT, Jacques
The hanging (La pendaison)
|
|
|
CALLOT, Jacques
The hospital (L'Hopital)
|
|
|
CALLOT, Jacques
The peasants avenge themselves (Le revanche des paysans)
|
|
|
CALLOT, Jacques
The stake (Le Bûcher)
|
|
|
CALLOT, Jacques
The strappado (L'estrapade)
|
|
|
CALLOT, Jacques
The wheel (La roue)
|
|
|
|
CAMACHO, Jorge
Plate 7
|
|
|
CAMPAGNOLA, after Domenico
Landscape with a couple gathering fruit
|
|
|
CAMPIGLIA, after Giovanni Domenico
Portrait of the artist G.B. Castiglione (Il Grechetto)
|
|
|
Canal, called CANALETTO, Antonio
The portico with a lantern
|
|
|
Canal, called CANALETTO, Antonio
The tower of Marghera
|
|
|
Canal, called CANALETTO, Antonio
View of a town on a river bank
|
|
|
CARLONE, Carlo
St. Charles Borromaeus administering communion to the plague-stricken
|
|
|
CARPIONI, Giulio
St Anthony of Padua
|
|
|
CARPIONI, Giulio
The penitent Magdalen
|
|
|
CARRACCI, after Annibale
An onion merchant
|
|
|
CARRACCI, after Annibale
The street bricklayer
|
|
|
CARRACCI, Agostino
Fan or A headpiece in the form of a fan
|
|
|
|
CARRACCI, Agostino
Aeneas and his family fleeing Troy
|
|
|
|
CARRACCI, Agostino
Apollo and the Python
|
|
|
CARRACCI, Agostino
The Transfiguration
|
|
|
CARRACCI, Annibale
The Drunken Silenus (The Tazza Farnese)
|
|
|
CARRACCI, Annibale
Venus and a satyr
|
|
|
CASSATT, Mary
Margot wearing a large bonnet, seated in an armchair
|
|
|
CASTIGLIONE, Giovanni Benedetto
Circe with companions of Ulysses changed into animals
|
|
|
CASTIGLIONE, Giovanni Benedetto
Head of a young man in a feathered hat (so-called Self-portrait of Castiglione)
|
|
|
CASTIGLIONE, Giovanni Benedetto
Man holding a large banderole
|
|
|
CASTIGLIONE, Giovanni Benedetto
The Nativity with God the Father and angels
|
|
|
CASTIGLIONE, Giovanni Benedetto
The philosopher Diogenes searching for an honest man
|
|
|
CEZANNE, Paul
The bathers (large plate)
|
|
|
|
CHAGALL, Marc
The Ebony Horse
|
|
|
|
CHIA, Sandro
A-5 (Madonna)
|
|
|
CHOUBARD
Nouvelle Hollande Kangaroo a bandes (Striped kangaroo, New Holland)
|
|
|
CHOUBARD
Nouvelle Hollande: Le Wombat (King Island wombat, New Holland)
|
|
|
|
CHOUBARD
Nouvelle Hollande (New Holland)
|
|
|
CHOUBRAC, Alfred
Le Jal, Les Ambassadeurs
|
|
|
|
COLOMBO, Aurelio
The Massacre of the Innocents
|
|
|
|
CONDER, Charles
Fantaise Espagnole [Spanish fantasy]
|
|
|
CONSTABLE, after John
A lock on the Stour, Suffolk
|
|
|
CONSTABLE, after John
A Summerland
|
|
|
CONSTABLE, after John
Hadleigh Castle near the Nore
|
|
|
CONSTABLE, after John
Weymouth Bay, Dortshire
|
|
|
CORIOLANO, Bartolomeo
An allegory of a Thesis
|
|
|
COROT, Jean-Baptiste Camille
Souvenir of Italy
|
|
|
|
CORREGGIO, after Antonio
An apostle accompanied by six angels
|
|
|
|
CORREGGIO, after Antonio
An apostle and four angels
|
|
|
CORT, Cornelis
Justice rewarding the worthy
|
|
|
COTES, after Francis
Mary, Lady Boynton
|
|
|
CRANACH the Elder, Lucas
The third tournament
|
|
|
CROME, John
Composition - a sandy road through woodland
|
|
|
CROME, John
Mousehold Heath
|
|
|
CRUICKSHANK, Isaac
A German howl or the emigrant princes bemoaning the loss of their dearest friend
|
|
|
CRUICKSHANK, Isaac
A visit to the farm-house
|
|
|
CRUICKSHANK, Isaac
He would be a soldier, or the history of John Bulls war like expedition
|
|
|
CRUICKSHANK, Isaac
The dwarf and the giant or, the strong lad of Brighton taking off the Princes chum!!!!
|
|
|
CRUICKSHANK, Isaac Robert
Dandies at tea
|
|
|
CUITT the Younger, George
Kirkstall Abbey, West Entrance, Yorkshire
|
|
|
|
da BRESCIA, Giovanni Antonio
Hercules and Antaeus
|
|
|
da BRESCIA, Giovanni Antonio
Woman watering a plant (Grammar)
|
|
|
|
da CARAVAGGIO, after Polidoro
Abraham and Isaac
|
|
|
|
da CARAVAGGIO, after Polidoro
Autumn? or Perseus in the Garden of the Hesperides (part II)
|
|
|
|
da CARAVAGGIO, after Polidoro
The Deluge
|
|
|
|
da CARPI, after Ugo
Raphael and his mistress
|
|
|
da CARPI, Ugo
Venus with Amorini chasing a hare
|
|
|
da CARPI, Ugo
Hercules chasing Avarice from the Temple of the Muses
|
|
|
|
da RAVENNA, after Marco
The Massacre of the Innocents
|
|
|
da REGGIO, after Raffaellino
The Holy Spirit
|
|
|
da REGGIO, after Raffaellino
The Saviour Ascending
|
|
|
|
DALZIEL BROTHERS
The summer snow
|
|
|
DANCE, George
Neithe war nor peace
|
|
|
|
DAUMIER, Honoré
And yet it could even be my wife going... (V'là pourtant ma femme qui s'en va....)
|
|
|
DAUMIER, Honoré
At the Circus (Au Cirque)
|
|
|
DAUMIER, Honoré
Get out! (Bajazet) (Sortez! (Bajazet!))
|
|
|
DAUMIER, Honoré
How one passes the evenings in China (Comment on passe ses soirées en Chine)
|
|
|
|
DAUMIER, Honoré
I thought her better than that..(J'la croyais mieux qu'ça..)
|
|
|
DAUMIER, Honoré
Lower the curtain, the farce is ended (Baissez le rideau, la farce est jouée)
|
|
|
DAUMIER, Honoré
May he die!... (Les Horaces) (Qu'il mourut !...(Les Horaces))
|
|
|
DAUMIER, Honoré
Meeting an old acquaintance one would rather not know (Recontre d'une ancienne connaissance ...)
|
|
|
DAUMIER, Honoré
My wife told me: wait five minutes for me ...(Ma femme m'a dit: Attends moi cinq minutes...)
|
|
|
DAUMIER, Honoré
Second session (Deuxième Séance)
|
|
|
DAUMIER, Honoré
Shows in Peking (Les spectacles à Pékin)
|
|
|
DAUMIER, Honoré
Sir, you who are so good...(Monsieur, vous qui êtes si bon...)
|
|
|
DAUMIER, Honoré
Slatterns of posters! (Gueuses d'affiches!)
|
|
|
DAUMIER, Honoré
That's the Public Prosecutor saying very unpleasant things to you...(Voilà le minietère public qui vous dit des choses très désagréables....)...)
|
|
|
DAUMIER, Honoré
They make the poor public swallow it! (En fait-on avaler a ce pauvre public!)
|
|
|
DAUMIER, Honoré
Thursday (Le Jeudi)
|
|
|
DAUMIER, Honoré
Times are difficult ... (Les Temps sont durs...)
|
|
|
|
de PASSE the Elder, Crispijn
Elizabeth, Queen of England
|
|
|
|
de PASSE, Magdalena
Mountainous landscape with travellers
|
|
|
de Sacchis, called PORDENONE, after Giovanni Antonio
Saturn
|
|
|
|
de SANCTIS, Orazio
Christ and Mary Magdalene
|
|
|
|
de SANCTIS, Orazio
The descent from the cross
|
|
|
dei MUSI, also known as Agostino Veneziano, Agostino
The Nativity
|
|
|
DELACROIX, Eugène
Wild horse
|
|
|
della BELLA, Stefano
A child teaching a dog to sit
|
|
|
della BELLA, Stefano
Black cavalier
|
|
|
della BELLA, Stefano
Child carrying a puppy on his left shoulder
|
|
|
|
della BELLA, Stefano
Entrance of the Polish ambassador into Rome 27 November 1633
|
|
.jpg "Entrance of the Polish ambassador into Rome 27 November 1633")
|
della BELLA, Stefano
Entrance of the Polish ambassador into Rome 27 November 1633
|
|
.jpg "Entrance of the Polish ambassador into Rome 27 November 1633")
|
della BELLA, Stefano
Entrance of the Polish ambassador into Rome 27 November 1633
|
|
.jpg "Entrance of the Polish ambassador into Rome 27 November 1633")
|
della BELLA, Stefano
Entrance of the Polish ambassador into Rome 27 November 1633
|
|
.jpg "Entrance of the Polish ambassador into Rome 27 November 1633")
|
della BELLA, Stefano
Entrance of the Polish ambassador into Rome 27 November 1633
|
|
.jpg "Entrance of the Polish ambassador into Rome 27 November 1633")
|
della BELLA, Stefano
Entrance of the Polish ambassador into Rome 27 November 1633
|
|
.jpg "Entrance of the Polish ambassador into Rome 27 November 1633")
|
della BELLA, Stefano
Entrance of the Polish ambassador into Rome 27 November 1633
|
|
|
|
della BELLA, Stefano
Four Turks wearing turbans
|
|
|
della BELLA, Stefano
Hungarian cavalier
|
|
|
della BELLA, Stefano
Nude study of a youth with hands joined
|
|
|
della BELLA, Stefano
Polish cavalier
|
|
|
della BELLA, Stefano
Polish hussar with wings
|
|
|
|
DENTE, after Marco
The Massacre of the Innocents
|
|
|
DIAMANTINI, Giuseppe
Bacchus, Ceres and Venus
|
|
|
|
DIEN, Claude-Marie-François
Terre de Diémen: Armes et Ornamens
|
|
|
DIGHTON, after Robert
A fleet of transports under convoy
|
|
|
DIXON, John
Susannah Jane Davidson
|
|
|
|
DORÉ, Gustave
The Neophyte (Le Néophyte)
|
|
|
DUGHET, Gaspard
River landscape with bridge and fisherman
|
|
|
|
DÜRER, after Albrecht
The Adoration of the Magi
|
|
|
|
DÜRER, after Albrecht
The Annunciation
|
|
|
|
DÜRER, after Albrecht
The betrothal of the Virgin
|
|
|
|
DÜRER, after Albrecht
The Birth of the Virgin
|
|
|
|
DÜRER, after Albrecht
The Glorification of the Virgin
|
|
|
DÜRER, after Albrecht
The Virgin with angels
|
|
|
|
DÜRER, after Albrecht
The Visitation
|
|
|
|
DÜRER, Albrecht
Christ crowned with thorns
|
|
|
DÜRER, Albrecht
Ecce Homo (Christ presented to the people)
|
|
|
DÜRER, Albrecht
Knight, death and devil
|
|
|
DÜRER, Albrecht
Landscape with cannon
|
|
|
DÜRER, Albrecht
Madonna with the swaddled infant
|
|
|
DÜRER, Albrecht
Melencolia I
|
|
|
DÜRER, Albrecht
Nemesis
|
|
|
|
DÜRER, Albrecht
Pilate washing his hands
|
|
|
|
DÜRER, Albrecht
St Christopher facing right
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DÜRER, Albrecht
St Jerome in his study
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DÜRER, Albrecht
St John devouring the book
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DÜRER, Albrecht
St Michael fighting the dragon
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DÜRER, Albrecht
The abduction of Proserpine on a unicorn
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DÜRER, Albrecht
The bearing of the Cross
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DÜRER, Albrecht
The Betrayal of Christ
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DÜRER, Albrecht
The circumcision of Christ
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DÜRER, Albrecht
The Death of the Virgin
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DÜRER, Albrecht
The flagellation
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DÜRER, Albrecht
The Flight into Egypt
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DÜRER, Albrecht
The four horsemen of the Apocalypse
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DÜRER, Albrecht
The glorification of the Virgin
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DÜRER, Albrecht
The harrowing of Hell (Christ in Limbo)
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DÜRER, Albrecht
The Holy Family in Egypt
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DÜRER, Albrecht
The prodigal son amid the swine
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DÜRER, Albrecht
Three peasants in conversation
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DÜRER, Albrecht
Young couple threatened by death (The promenade)
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EARLOM, Richard
The breakfast scene
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EARLOM, Richard
The death of the Countess
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EARLOM, Richard
Pastoral
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EARLOM, Richard
The Lord appearing to Moses in a burning bush
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EASLING, J. C.
The Mildmay sea-piece
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ELSHEIMER, after Adam
Landscape at dawn, Aurora
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ELSHEIMER, after Adam
The flight into Egypt
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ERNST, Max
Plate 14
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FAITHORNE THE YOUNGER, after William
John Sturt, engraver
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FAITHORNE, William
Catherine of Braganza, Queen of Charles II
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FAITHORNE, William
Charles II (1630-1685)
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FALDONI, Gianantonio
The Holy Family
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FANTIN-LATOUR, Henri
Parsifal et les filles-fleurs
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FANTIN-LATOUR, Henri
The finale of Rheingold
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FARINATI, Paolo
Venus and Cupid
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FLIGHT, Claude
Brooklands
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FLIGHT, Claude
Swingboats
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FLINDERS, Matthew
General chart of Terra Australis and Neighbouring lands from latitude 7° to 44½° south, and longitude 102° to 165°east
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FORTIER, Claude-Francois
Nouvelle Hollande: Terre Napoleon
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FOSSATI, Davide Antonio
Venetian landscape
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FRANCO, called Il Semolei, Giovanni Battista
The Philistines place the Ark of the Covenant in the Temple of Dragon
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FRANCO, called Il Semolei, Giovanni Battista
The Deluge
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FRANCO, Giacomo
Tutelary Goddess of Rome
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FREUD, Lucian
Woman sleeping
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FRISIUS, Simon
Jacob Binck
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GAUGUIN, Paul
Human sorrow
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GAUGUIN, Paul
Noa Noa (Fragrant scent)
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GHISI, Giorgio
The Delphic Sibyl
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GHISI, Giorgio
The Prophet Jeremiah
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GHISI, Giorgio
Allegorical figure holding a sphere
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GHISI, Giorgio
The Death of Procris
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GIAMPICCOLI, Giuliano
A scholar with a picture of a mythical being instructing the animals
|
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GIBBINGS, Robert
Untitled
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GIBBINGS, Robert
Untitled
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GILL, Eric
Mother and Child
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GILL, Eric
The Harem
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GILLRAY, after James
Harmony before matrimony
|
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GILLRAY, after James
French invasion -or- Buonaparte landing in Great Britain
|
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GILLRAY, after James
Destruction of the French Gun-Boats - or - Little Boney his Friend Talley in high glee.
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GILLRAY, after James
John Bull and the alarmist
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GILLRAY, James
A slice of Gloster cheese
|
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GILLRAY, James
For improving the breed
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GILLRAY, James
The great South Sea caterpillar, transformed into a bath butterfly
|
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GOLTZIUS, Hendrick
Landscape with a farmhouse
|
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GOLTZIUS, Hendrick
The great standard-bearer
|
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GONZÁLEZ-TORRES, Fèlix
Untitled (Death by gun)
|
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GONZÁLEZ-TORRES, Fèlix
Untitled (Passport #II)
|
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GOUDT, Hendrik
Landscape at dawn, Aurora
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GOUDT, Hendrik
The flight into Egypt
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GOYA, Francisco
A bad night
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GOYA, Francisco
A gift for the master
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GOYA, Francisco
A way of flying
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GOYA, Francisco
A Woman's Charity
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GOYA, Francisco
Against the common good
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GOYA, Francisco
All will fall
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GOYA, Francisco
An heroic feat! With dead men!
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GOYA, Francisco
And his house is on fire
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GOYA, Francisco
And so was his grandfather
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GOYA, Francisco
And still they don't go!
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GOYA, Francisco
And there's no help for it
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GOYA, Francisco
And they are like wild beasts
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GOYA, Francisco
And this too
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GOYA, Francisco
Appeals are in vain
|
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GOYA, Francisco
Barbarians!
|
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GOYA, Francisco
Be quick, they are waking up
|
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GOYA, Francisco
Because she was susceptible
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GOYA, Francisco
Bitter to be present
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GOYA, Francisco
Blow
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GOYA, Francisco
Bravissimo!
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GOYA, Francisco
Bury them and keep quiet
|
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GOYA, Francisco
Can't anyone untie (annul) us?
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GOYA, Francisco
Carnival folly
|
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GOYA, Francisco
Cartloads to the cemetery
|
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GOYA, Francisco
Charity
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GOYA, Francisco
Charlatans' Show
|
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GOYA, Francisco
Clear folly
|
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GOYA, Francisco
Correction
|
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GOYA, Francisco
Cruel tale of woe!
|
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GOYA, Francisco
Devout profession
|
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GOYA, Francisco
Disorderly folly or Matrimonial folly
|
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GOYA, Francisco
Don't scream, stupid
|
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GOYA, Francisco
Even thus he cannot make her out
|
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GOYA, Francisco
Even worse
|
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GOYA, Francisco
Everything is topsy-turvy
|
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GOYA, Francisco
Feline pantomime
|
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GOYA, Francisco
Feminine folly
|
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GOYA, Francisco
Flying folly
|
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GOYA, Francisco
Folly of fear
|
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GOYA, Francisco
Francisco Goya y Lucientes, painter
|
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GOYA, Francisco
Funereal folly
|
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GOYA, Francisco
Furious folly
|
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GOYA, Francisco
General folly
|
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GOYA, Francisco
God forgive her: and it was her mother
|
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GOYA, Francisco
Harvest of the dead.
|
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GOYA, Francisco
He defends himself well.
|
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GOYA, Francisco
He deserved it
|
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GOYA, Francisco
He gets something out of it
|
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GOYA, Francisco
Here comes the bogey-man
|
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GOYA, Francisco
Hobgoblins
|
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GOYA, Francisco
How they pluck her!
|
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GOYA, Francisco
Hush
|
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GOYA, Francisco
I saw it
|
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GOYA, Francisco
It always happens
|
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GOYA, Francisco
It is better to be lazy
|
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GOYA, Francisco
It is nicely stretched
|
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GOYA, Francisco
It is time
|
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GOYA, Francisco
It is time
|
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GOYA, Francisco
It serves you right
|
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GOYA, Francisco
It will be the same
|
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GOYA, Francisco
It's a hard step!
|
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GOYA, Francisco
It's no use crying out
|
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GOYA, Francisco
Lads making ready
|
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GOYA, Francisco
Look how solemn they are!
|
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GOYA, Francisco
Love and death
|
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GOYA, Francisco
Loyalty
|
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|
GOYA, Francisco
May the cord break
|
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GOYA, Francisco
Merry folly
|
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|
GOYA, Francisco
Might not the pupil know more?
|
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GOYA, Francisco
Nanny's boy
|
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GOYA, Francisco
Neither do these
|
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GOYA, Francisco
Neither do they
|
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GOYA, Francisco
Neither more nor less
|
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|
GOYA, Francisco
No one has seen us
|
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|
GOYA, Francisco
Nobody knows himself
|
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|
GOYA, Francisco
Nor this time
|
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|
GOYA, Francisco
Nothing could be done about it
|
|
|
GOYA, Francisco
Nothing. The event will tell.
|
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|
GOYA, Francisco
Of what ill will he die?
|
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|
GOYA, Francisco
On account of a knife
|
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|
GOYA, Francisco
One can't look
|
|
|
GOYA, Francisco
One can't tell why
|
|
|
GOYA, Francisco
Out hunting for teeth
|
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|
GOYA, Francisco
Perhaps they are of another breed
|
|
|
GOYA, Francisco
Poor folly
|
|
|
GOYA, Francisco
Poor little girls!
|
|
|
GOYA, Francisco
Rabble
|
|
|
GOYA, Francisco
Ravages of war
|
|
|
GOYA, Francisco
Ridiculous folly
|
|
|
GOYA, Francisco
Rightly or wrongly
|
|
|
GOYA, Francisco
Sad forebodings of what is going to happen
|
|
|
GOYA, Francisco
She fleeces him
|
|
|
|
GOYA, Francisco
She prays for her
|
|
|
GOYA, Francisco
Simpleton
|
|
|
GOYA, Francisco
Sleep overcomes them
|
|
|
GOYA, Francisco
Strange devotion!
|
|
|
GOYA, Francisco
Swallow it, dog
|
|
|
GOYA, Francisco
Take care of them, and on to the next
|
|
|
GOYA, Francisco
Tantalus
|
|
|
GOYA, Francisco
Thanks to the millet
|
|
|
GOYA, Francisco
That certainly is being able to read
|
|
|
GOYA, Francisco
That is the worst of it!
|
|
|
GOYA, Francisco
That's tough!
|
|
|
GOYA, Francisco
The beds of death
|
|
|
GOYA, Francisco
The carnivorous vulture
|
|
|
GOYA, Francisco
The Chinchillas
|
|
|
GOYA, Francisco
The consequences.
|
|
|
GOYA, Francisco
The filiation
|
|
|
GOYA, Francisco
The healthy and the sick
|
|
|
GOYA, Francisco
The horse-abductor
|
|
|
GOYA, Francisco
The men in sacks
|
|
|
GOYA, Francisco
The moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open
|
|
|
GOYA, Francisco
The same
|
|
|
GOYA, Francisco
The same elsewhere
|
|
|
GOYA, Francisco
The shamefaced one
|
|
|
GOYA, Francisco
The sleep of reason produces monsters
|
|
|
GOYA, Francisco
The women give courgage
|
|
|
GOYA, Francisco
The worst is to beg
|
|
|
GOYA, Francisco
There is no one to help them.
|
|
|
GOYA, Francisco
There is plenty to suck
|
|
|
GOYA, Francisco
There isn't time now
|
|
|
GOYA, Francisco
There they go plucked (ie fleeced)
|
|
|
GOYA, Francisco
There was nothing to be done and he died
|
|
|
GOYA, Francisco
These too
|
|
|
GOYA, Francisco
They are hot
|
|
|
GOYA, Francisco
They can still be of use
|
|
|
GOYA, Francisco
They carried her off !
|
|
|
GOYA, Francisco
They do not agree
|
|
|
GOYA, Francisco
They do not arrive in time
|
|
|
GOYA, Francisco
They do not know the way
|
|
|
GOYA, Francisco
They don't like it
|
|
|
GOYA, Francisco
They escape through the flames
|
|
|
GOYA, Francisco
They have flown
|
|
|
GOYA, Francisco
They loose dogs on the bull
|
|
|
GOYA, Francisco
They make use of them
|
|
|
GOYA, Francisco
They say yes and give their hand to the first comer
|
|
|
GOYA, Francisco
They spin finely
|
|
|
GOYA, Francisco
They've already got a seat
|
|
|
GOYA, Francisco
This is bad
|
|
|
GOYA, Francisco
This is how it happened
|
|
|
GOYA, Francisco
This is not less so
|
|
|
GOYA, Francisco
This is what you were born for
|
|
|
GOYA, Francisco
This is worse
|
|
|
GOYA, Francisco
This too
|
|
|
GOYA, Francisco
Those specks of dust
|
|
|
GOYA, Francisco
To rise and to fail
|
|
|
GOYA, Francisco
To the cemetery
|
|
|
GOYA, Francisco
To the Count Palatine or Count of the Palate
|
|
|
GOYA, Francisco
Trials
|
|
|
GOYA, Francisco
Triple folly
|
|
|
GOYA, Francisco
Truth has died
|
|
|
GOYA, Francisco
Two of a kind
|
|
|
GOYA, Francisco
Unhappy mother!
|
|
|
GOYA, Francisco
Wait till you've been anointed
|
|
|
GOYA, Francisco
Well-known folly
|
|
|
GOYA, Francisco
What a golden beak!
|
|
|
GOYA, Francisco
What a sacrifice!
|
|
|
GOYA, Francisco
What a tailor can do!
|
|
|
GOYA, Francisco
What courage !
|
|
|
GOYA, Francisco
What is this hubbub?
|
|
|
GOYA, Francisco
What madness!
|
|
|
GOYA, Francisco
What more can be done?
|
|
|
GOYA, Francisco
What one does to another
|
|
|
GOYA, Francisco
What's the use of a bowl?
|
|
|
GOYA, Francisco
When day breaks we will be off
|
|
|
GOYA, Francisco
Where is mother going?
|
|
|
GOYA, Francisco
Which of them is the more overcome?
|
|
|
GOYA, Francisco
Who would have thought it!
|
|
|
GOYA, Francisco
Why?
|
|
|
GOYA, Francisco
Why hide them?
|
|
|
GOYA, Francisco
Will she rise again?
|
|
|
GOYA, Francisco
Wonderful advice
|
|
|
GOYA, Francisco
Yes he broke the pot
|
|
|
GOYA, Francisco
You understand?... well, as I say... eh! Look out! otherwise...
|
|
|
GOYA, Francisco
You who cannot
|
|
|
GOYA, Francisco
You will not escape
|
|
|
GOYA, Francisco
Animal folly
|
|
|
GOYA, Francisco
Fools' - or little bulls' - folly
|
|
|
GOYA, Francisco
Punctual folly
|
|
|
|
GRECO, Emilio
Guiliana
|
|
|
|
GREGORI, Carlo
Portrait of the artist G.B. Castiglione (Il Grechetto)
|
|
|
GRIMALDI, Giovanni Francesco
Landscape with figures at the right
|
|
|
GRIMALDI, Giovanni Francesco
The colossal busts
|
|
|
|
GROSZ, George
Serenade (Ständchen)
|
|
|
HADEN, Francis Seymour
Kilgaren Castle
|
|
|
HADEN, Francis Seymour
Windmill Hill, no. 1
|
|
|
|
HALL, Edna Clark
Illustration to Emily Bronte's "Wuthering Heights"
|
|
|
|
HAYS, Henry
Her most Gracious Majesty, Queen Adelaide
|
|
|
|
HENDRICX, Gillis
Diana and her nymphs returning from the chase
|
|
|
|
HERMES, Gertrude
The warrior's tomb
|
|
|
|
HOCKNEY, David
Two apples & one lemon & four flowers
|
|
|
|
HOGARTH, after William
The breakfast scene
|
|
|
|
HOGARTH, after William
The death of the Countess
|
|
|
HOGARTH, William
Apprehended by a magistrate
|
|
|
|
HOGARTH, William
Scene in Bridewell
|
|
|
|
HOGARTH, William
She expires, while the doctors are quarrelling
|
|
|
|
HOGARTH, William
The arrival in London
|
|
|
|
HOGARTH, William
The funeral
|
|
|
HOGARTH, William
The quarrel with her Jew protector
|
|
|
HOLLAR, Wenceslaus
Antwerp Cathedral
|
|
|
|
HONDIUS I the elder, Hendrik
Lucas van Leyden
|
|
|
|
HUGHES-STANTON, Blair
The hand
|
|
|
|
HUGHES-STANTON, Blair
The rock
|
|
|
|
HUGHES-STANTON, Blair
The war
|
|
|
|
HUMPHREY, William
John Sturt, engraver
|
|
|
|
IMMENDORFF, Jörg
Kein Licht für wen?
|
|
|
|
IMMENDORFF, Jörg
We are coming
|
|
|
|
JOHN, Augustus
A nude girl with an urn
|
|
|
|
JOHN, Augustus
A young woman musing
|
|
|
|
JOHN, Augustus
Portrait of the artist in a hat
|
|
|
|
JOHN, Augustus
Tête farouche (Fierce head, self-portrait)
|
|
|
JONGKIND, Johan Barthold
Canal in Holland, near Rotterdam (winter)
|
|
|
JONGKIND, Johan Barthold
Houses along the canal bank
|
|
|
|
KANDINSKY, Wassily
Black spot
|
|
|
|
KANDINSKY, Wassily
Lithographie No. III
|
|
|
|
KANDINSKY, Wassily
Three riders in red, blue and black
|
|
|
|
KANDINSKY, Wassily
Variation based on Improvisation No. 21
|
|
|
KLINGER, Max
Moonlight night (Moodnacht)
|
|
|
KLINGER, Max
Simplicius in the forest-wilderness (Simplicius in der Wald-Einöde)
|
|
|
KNELLER, after Godfrey
Grinlin Gibbons
|
|
|
KNELLER, after Godfrey
The Countess of Ranelagh
|
|
|
KNELLER, after Godfrey
William, Duke of Gloucester
|
|
|
|
KOLLWITZ, Käthe
Sharpening the scyth (Beim Dengeln)
|
|
|
KRUG, Ludwig
Two nude women with a skull and an hourglass
|
|
|
|
LANG, Nikolaus
Varrioota's Daydreams after his Escape near Aroona Homestead (from Imaginary Figurations no. 13)
|
|
|
|
LEGROS, Alphonse
Le Grand Espagnol (Vieillard)
|
|
|
|
LESUEUR, after Charles-Alexandre
Nouvelle Hollande: Terre Napoleon
|
|
|
|
LESUEUR, after Charles-Alexandre
Nouvelle Hollande Kangaroo a bandes (Striped kangaroo, New Holland)
|
|
|
|
LESUEUR, after Charles-Alexandre
Nouvelle Hollande: Le Wombat (King Island wombat, New Holland)
|
|
|
|
LESUEUR, after Charles-Alexandre
Nouvelle Hollande (New Holland)
|
|
|
|
LESUEUR, after Charles-Alexandre
Terre de Diémen: Armes et Ornamens
|
|
|
|
LIENARD, Francois
Animal folly
|
|
|
|
LIENARD, Francois
Fools' - or little bulls' - folly
|
|
|
|
LIENARD, Francois
Punctual folly
|
|
|
|
Lorrain, after CLAUDE
Pastoral
|
|
|
|
Lorrain, after CLAUDE
The Lord appearing to Moses in a burning bush
|
|
|
LORRAIN, Claude
Le Campo Vaccino (The Roman Forum)
|
|
|
LORRAIN, Claude
Shepherd and shepherdess conversing in a landscape
|
|
|
|
LUCAS, David
A lock on the Stour, Suffolk
|
|
|
|
LUCAS, David
A Summerland
|
|
|
|
LUCAS, David
Hadleigh Castle near the Nore
|
|
|
|
LUCAS, David
Weymouth Bay, Dortshire
|
|
|
MANET, Édouard
Lola de Valence
|
|
|
|
MANTEGNA, after Andrea
Hercules and Antaeus
|
|
|
MANTEGNA, Andrea
The entombment
|
|
|
MANTEGNA, Andrea
The entombment
|
|
|
MARTIN, John
Raphael conversing with Adam and Eve
|
|
|
|
MASSON, André
Plate 2
|
|
|
Master MZ (Matthäus Zaisinger?)
Aristotle and Phyllis
|
|
|
Master of the Die
Sacrifice of Priapus
|
|
|
Master of the Die
Neighbouring river-gods consoling Peneus on the loss of his daughter
|
|
|
Mazzola, called PARMIGIANINO, after Girolamo Francesco
The surprise
|
|
|
Mazzola, called PARMIGIANINO, after Girolamo Francesco
The entombment
|
|
|
McARDELL, James
Anne Day
|
|
|
MENPES, Mortimer
A back canal, Osaka
|
|
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MENPES, Mortimer
A back canal, Osaka
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MENPES, Mortimer
A bridge at Srinagar
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MENPES, Mortimer
A city wharf
|
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MENPES, Mortimer
A cloisonné worker
|
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MENPES, Mortimer
A cloisonné worker
|
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MENPES, Mortimer
A distant view of the city
|
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MENPES, Mortimer
A giant oak
|
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MENPES, Mortimer
A river scene, Japan
|
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MENPES, Mortimer
A river scene, Japan
|
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MENPES, Mortimer
A tea house, Shanghai
|
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MENPES, Mortimer
A tranquil waterway, Japan
|
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MENPES, Mortimer
A village woman, China
|
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MENPES, Mortimer
An iris garden, Tokyo
|
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MENPES, Mortimer
At Jeypore
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MENPES, Mortimer
Below Waterloo bridge
|
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MENPES, Mortimer
Breton interior, Pont Aven
|
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|
MENPES, Mortimer
Bronze workers, Japan
|
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MENPES, Mortimer
By the light of the lamp
|
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MENPES, Mortimer
Canton
|
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MENPES, Mortimer
Cottage, West Hendred
|
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MENPES, Mortimer
D. G. Rossetti
|
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MENPES, Mortimer
Duke of York steps and St Pauls
|
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MENPES, Mortimer
Dumb barges
|
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MENPES, Mortimer
G.F. Watts
|
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MENPES, Mortimer
Goring
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MENPES, Mortimer
Hammersmith
|
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MENPES, Mortimer
(Hanging out the washing)
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MENPES, Mortimer
Hay barges
|
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MENPES, Mortimer
Henry Irving
|
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MENPES, Mortimer
Horsemen on a bridge, Srinagar
|
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MENPES, Mortimer
(Houses by a canal)
|
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MENPES, Mortimer
Ice Ship
|
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MENPES, Mortimer
In the city of Jeypore
|
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MENPES, Mortimer
Indian standard bearer
|
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MENPES, Mortimer
Jaipur: midday sun
|
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MENPES, Mortimer
Jeypore
|
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MENPES, Mortimer
Jeypore
|
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MENPES, Mortimer
Knitting, Brittany
|
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MENPES, Mortimer
Leading to the temple
|
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MENPES, Mortimer
Limehouse
|
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MENPES, Mortimer
Loading a junk, Hong Kong
|
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MENPES, Mortimer
(Mealtime, Japan)
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MENPES, Mortimer
Midday sun, Jeypore
|
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MENPES, Mortimer
Miss Constance Collier
|
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MENPES, Mortimer
Mona Lisa
|
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MENPES, Mortimer
Monocle right eye, portrait of J.M. Whistler
|
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MENPES, Mortimer
(Moorish Khadirs)
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MENPES, Mortimer
Mrs Brown-Potter (as Juliet)
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MENPES, Mortimer
Muttra
|
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MENPES, Mortimer
Nagasaki: upstream from harbour
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MENPES, Mortimer
Near Limehouse
|
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MENPES, Mortimer
On the Lagoon
|
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MENPES, Mortimer
Osaka
|
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MENPES, Mortimer
Osaka, a bridge
|
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MENPES, Mortimer
Osaka, landing stage on the river
|
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MENPES, Mortimer
Pardon of Tremlo
|
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MENPES, Mortimer
Picnicking, Japan
|
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MENPES, Mortimer
Reflective, Japan
|
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MENPES, Mortimer
Rich only in colour
|
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MENPES, Mortimer
Richmond Park
|
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MENPES, Mortimer
Rome
|
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MENPES, Mortimer
Rouen
|
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MENPES, Mortimer
Scene at Tangiers
|
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MENPES, Mortimer
Scutari
|
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MENPES, Mortimer
Self portrait
|
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MENPES, Mortimer
Shot Tower
|
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MENPES, Mortimer
Srinagar
|
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MENPES, Mortimer
Srinagar, river
|
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MENPES, Mortimer
Srinagar: river front
|
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MENPES, Mortimer
Stall under a tree, Jeypore
|
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MENPES, Mortimer
Street scene, Jeypore
|
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MENPES, Mortimer
Sunshine and shadow
|
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MENPES, Mortimer
The carpenter
|
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MENPES, Mortimer
(The cradle, Brittany)
|
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MENPES, Mortimer
The end of the festival, Japan
|
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MENPES, Mortimer
The Lido
|
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|
MENPES, Mortimer
The pulse of life beats faintly
|
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MENPES, Mortimer
The river pilgrims (Cashmere)
|
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MENPES, Mortimer
The Venice of Japan (2)
|
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MENPES, Mortimer
Three sailing boats
|
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MENPES, Mortimer
Under the bridge, Japan
|
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MENPES, Mortimer
View in the Pool
|
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|
MENPES, Mortimer
View of the South Bank near London Bridge
|
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|
MENPES, Mortimer
Waterside, teahouse
|
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MENPES, Mortimer
Westminster
|
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|
MENPES, Mortimer
Wharf scene
|
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MENPES, Mortimer
Whistler - no. 1 (Wiser than the wise)
|
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MENPES, Mortimer
Workers in silver and gold
|
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MENPES, Mortimer
Young bronze workers, Japan
|
|
|
MERYON, Charles
The vampire (Le Stryge)
|
|
|
|
MICHELANGELO, after Buonarroti
Last Judgement
|
|
|
|
MICHELANGELO, after Buonarroti
The Delphic Sibyl
|
|
|
|
MICHELANGELO, after Buonarroti
The Prophet Jeremiah
|
|
|
MITELLI, Giuseppe Maria
Miser
|
|
|
MITELLI, Giuseppe Maria
Priest of Idols and Death
|
|
|
|
MITELLI, Giuseppe Maria
An onion merchant
|
|
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|
MITELLI, Giuseppe Maria
The street bricklayer
|
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|
MONTI, Antonio Maria
Landscape with a square tower and a round tower
|
|
|
MONTI, Antonio Maria
Rocky landscape with a distant city
|
|
|
|
MOTHERWELL, Robert
Untitled
|
|
|
|
MUNCH, Edvard
Mourning visit
|
|
|
MUNCH, Edvard
Self portrait
|
|
|
|
NASH, Paul
Abstract 2
|
|
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|
NASH, Paul
Rufus Clay, the Foreigner
|
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|
NASH, Paul
Vegetation
|
|
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|
NEEFFS, Jacques
Frans Snyders
|
|
|
|
NELLI, Niccolo
Tree of the Ottoman Sultans
|
|
|
|
NEVINSON, C. R. W.
Acetylene welder
|
|
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|
NEVINSON, C. R. W.
Assembling parts
|
|
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|
NEVINSON, C. R. W.
Banking at 4,000 feet
|
|
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|
NEVINSON, C. R. W.
Ebb tide, Rye
|
|
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|
NEVINSON, C. R. W.
In the air
|
|
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|
NEVINSON, C. R. W.
Making the engine
|
|
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|
NEVINSON, C. R. W.
Swooping down on a taube
|
|
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|
NEVINSON, C. R. W.
Waterloo Bridge from a Savoy window
|
|
|
|
NOLDE, Emil
Young priest
|
|
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|
OFILI, Chris
Plate 1
|
|
|
|
OFILI, Chris
Plate 2
|
|
|
|
OFILI, Chris
Plate 3
|
|
|
|
OFILI, Chris
Plate 4
|
|
|
|
OFILI, Chris
Plate 5
|
|
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|
OFILI, Chris
Plate 6
|
|
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|
OFILI, Chris
Plate 7
|
|
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|
OFILI, Chris
Plate 8
|
|
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|
OFILI, Chris
Plate 9
|
|
|
|
OFILI, Chris
Plate 10
|
|
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|
OFILI, Chris
Plate 11
|
|
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|
OFILI, Chris
Plate 12
|
|
|
|
OFILI, Chris
Plate 13
|
|
|
|
OLIVER, after Isaac
Elizabeth, Queen of England
|
|
|
|
PALMA, after IL GIOVANE
Tutelary Goddess of Rome
|
|
|
PALMER, Samuel
Opening the fold, or Early morning
|
|
|
PALMER, Samuel
The rising moon
|
|
|
|
PASMORE, Victor
Points of contact no.8
|
|
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|
PASMORE, Victor
Points of contact no.11
|
|
|
|
PASMORE, Victor
Points of contact no.13
|
|
|
|
PASMORE, Victor
Points of contact no.14
|
|
|
|
PELLEGRINI, after Domenico (TIBALDI)
The Transfiguration
|
|
|
|
PERELLE, Gabriel
Village scene (Autumn)
|
|
|
|
PERUZZI, after Baldassarre
Hercules chasing Avarice from the Temple of the Muses
|
|
|
|
PERUZZI, after Baldassarre
Neighbouring river-gods consoling Peneus on the loss of his daughter
|
|
|
|
PETIT, after Nicolas Martin
Nouvelle-Hollande: Y-Erran-Gou-La-Ga
|
|
|
|
PETIT, after Nicolas Martin
Terre de Diemen: Ouriaga
|
|
|
PIAZZETTA, after Giovanni Battista
God the Father
|
|
|
PIAZZETTA, after Giovanni Battista
God the Father
|
|
|
PIAZZETTA, after Giovanni Battista
Portrait of the Poet and Lawyer Carlo Goldoni
|
|
|
PIAZZETTA, after Giovanni Battista
St. Andrew
|
|
|
PIAZZETTA, after Giovanni Battista
St. Jacob
|
|
|
PIAZZETTA, after Giovanni Battista
St. Paul
|
|
|
|
PICASSO, Pablo
Composed figure II (Figure composée II)
|
|
|
|
PICASSO, Pablo
Large head of Jacqueline wearing a hat
|
|
|
PIRANESI, Giovanni Battista
Cross-section of Hadrian's Mausoleum (left)
|
|
|
PIRANESI, Giovanni Battista
Prisoners on a projecting platform
|
|
|
PIRANESI, Giovanni Battista
Remains of the Aqueduct of Nero ...
|
|
|
PIRANESI, Giovanni Battista
Staircase with trophies
|
|
|
PIRANESI, Giovanni Battista
The arch with a shell ornament
|
|
|
PIRANESI, Giovanni Battista
The drawbridge
|
|
|
PIRANESI, Giovanni Battista
The giant wheel
|
|
|
PIRANESI, Giovanni Battista
The Gothic arch
|
|
|
PIRANESI, Giovanni Battista
The grand piazza
|
|
|
PIRANESI, Giovanni Battista
The lion bas-reliefs
|
|
|
PIRANESI, Giovanni Battista
The man on the rack
|
|
|
PIRANESI, Giovanni Battista
The pier with a lamp
|
|
|
PIRANESI, Giovanni Battista
The pier with chains
|
|
|
PIRANESI, Giovanni Battista
The round tower
|
|
|
PIRANESI, Giovanni Battista
The sawhorse
|
|
|
PIRANESI, Giovanni Battista
The skeletons
|
|
|
PIRANESI, Giovanni Battista
The smoking fire
|
|
|
PIRANESI, Giovanni Battista
The well
|
|
|
PIRANESI, Giovanni Battista
Title plate
|
|
|
PIRANESI, Giovanni Battista
View of the Arch of Constantine and the Flavian Amphitheatre, called the Colosseum
|
|
|
PIRANESI, Giovanni Battista
View of the Arch of Septimus Severus
|
|
|
PIRANESI, Giovanni Battista
View of the Flavian Amphitheatre, called the Colosseum
|
|
|
PISSARRO, Lucien
Ophelia
|
|
|
|
PITTERI, Marco Alvise
God the Father
|
|
|
|
PITTERI, Marco Alvise
God the Father
|
|
|
|
PITTERI, Marco Alvise
Portrait of the Poet and Lawyer Carlo Goldoni
|
|
|
|
PITTERI, Marco Alvise
St. Andrew
|
|
|
|
PITTERI, Marco Alvise
St. Jacob
|
|
|
|
PITTERI, Marco Alvise
St. Paul
|
|
|
PLEYDENWURFF and workshop, Wilhelm
Salzburg
|
|
|
PLEYDENWURFF and workshop, Wilhelm
The Antichrist
|
|
|
PODESTÀ, Giovanni Andrea
Allegory of the Arts
|
|
|
PYE, John
View of Sir Edward Pellews Group - Gulf of Carpentaria
|
|
|
RAIMONDI, after Marcantonio
Bacchanale
|
|
|
|
RAIMONDI, after Marcantonio
Woman watering a plant (Grammar)
|
|
|
|
RAIMONDI, after Marcantonio
The Sibyl of Tibur and the Sibyl of Cusana
|
|
|
|
RAIMONDI, after Marcantonio
The Massacre of the Innocents
|
|
|
RAIMONDI, Marcantonio
Mars, Venus and Cupid
|
|
|
|
RAIMONDI, Marcantonio
Faun playing with a child
|
|
|
|
RAIMONDI, Marcantonio
Martyrdom of St Cecilia
|
|
|
|
RAIMONDI, Marcantonio
Poetry
|
|
|
|
RAIMONDI, Marcantonio
The Adoration of the Magi
|
|
|
|
RAIMONDI, Marcantonio
The Annunciation
|
|
|
|
RAIMONDI, Marcantonio
The betrothal of the Virgin
|
|
|
|
RAIMONDI, Marcantonio
The Birth of the Virgin
|
|
|
|
RAIMONDI, Marcantonio
The Glorification of the Virgin
|
|
|
|
RAIMONDI, Marcantonio
The Virgin with angels
|
|
|
|
RAIMONDI, Marcantonio
The Visitation
|
|
|
RAIMONDI, Marcantonio
The holy family with the young St John the Baptist, also known as ' Virgin with the long thigh'
|
|
|
|
RAVERAT, Gwendolen
Bathsheba
|
|
|
|
RAVERAT, Gwendolen
The duck pond
|
|
|
|
RAVILIOUS, Eric
Windstorm
|
|
|
|
RAY-JONES, Raymond
Lamplight
|
|
|
|
READ, after Catherine
Catherine Macauley
|
|
|
REDON, Odilon
Anthony: What is the object of all this? The Devil: There is no object
|
|
|
REMBRANDT, Harmensz van Rijn
Abraham's sacrifice
|
|
|
REMBRANDT, Harmensz van Rijn
Beggar in a high cap, standing and leaning on a stick
|
|
|
REMBRANDT, Harmensz van Rijn
Landscape with a cottage and haybarn
|
|
|
REMBRANDT, Harmensz van Rijn
Saskia with pearls in her hair
|
|
|
REMBRANDT, Harmensz van Rijn
St Jerome reading in an Italian landscape
|
|
|
REMBRANDT, Harmensz van Rijn
The descent from the Cross by torchlight
|
|
|
REMBRANDT, Harmensz van Rijn
The windmill
|
|
|
REMBRANDT, Harmensz van Rijn
View of Amsterdam
|
|
|
|
RENI, after Guido
An allegory of a Thesis
|
|
|
|
REYNOLDS, after Joshua
Susannah Jane Davidson
|
|
|
REYNOLDS, after Joshua
Anne, Duchess of Cumberland
|
|
|
|
REYNOLDS, Joshua
Anne Day
|
|
|
RIBERA, Jusepe
The poet
|
|
|
|
RICCI, after Marco
Venetian landscape
|
|
|
|
RICCI, after Sebastian
The Holy Family
|
|
|
RICCI, Marco
Landscape with a hill-town and straining ox-cart
|
|
|
ROBETTA, Cristofano
Adoration of the Magi
|
|
|
ROBINSON, John Charles
October rain: Posuelos in the Guadarramas, near Madrid
|
|
|
|
ROGER, Barthelemy
Nouvelle-Hollande: Y-Erran-Gou-La-Ga
|
|
|
|
ROGER, Barthelemy
Terre de Diemen: Ouriaga
|
|
|
|
ROMANO (studio), after Giulio
The battle of the Milvian bridge from the sala di Constantino
|
|
|
ROMANO, after Giulio
Horatius Cocles saving himself in battle
|
|
|
ROMANO, after Giulio
Latona giving birth to Apollo and Diana
|
|
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|
ROMANO, after Giulio
The Nativity
|
|
|
|
ROMANO, after Giulio
Allegorical figure holding a sphere
|
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|
|
ROMANO, after Giulio
The Death of Procris
|
|
|
|
ROMANO, after Giulio
The holy family with the young St John the Baptist, also known as ' Virgin with the long thigh'
|
|
|
ROSA, Salvator
Albert, companion to St William, tied to a tree
|
|
|
ROSA, Salvator
Alexander in the studio of Apelles
|
|
|
ROSA, Salvator
Diogenes and Alexander
|
|
|
ROSA, Salvator
Diogenes casting away his bowl
|
|
|
ROSA, Salvator
Glaucus and Scylla
|
|
|
ROSA, Salvator
Glaucus and Scylla
|
|
|
ROSA, Salvator
Two soldiers, one pointing towards the left, the one below holding a shield
|
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|
ROSS, after Sir William Charles
Her most gracious majesty Queen Adelaide
|
|
|
|
ROTA, Martino
The Martyrdom of St. Peter of the Order of the Preaching Friars
|
|
|
|
ROUAULT, Georges
Tomorrow will be fair, said the castaway
|
|
|
|
ROUSSEL, Theodore
Battersea from Chelsea
|
|
|
ROWLANDSON, attributed to Thomas
Come live with me and be my love
|
|
|
ROWLANDSON, attributed to Thomas
Snips
|
|
|
ROWLANDSON, Thomas
Sergent Recruteur
|
|
|
ROWLANDSON, Thomas
The Grand Monarck discovered in a pot de chambre
|
|
|
ROWLANDSON, Thomas
Miseries of human life
|
|
|
|
RUBENS, after Peter Paul
Spanish landscape with a goatherd
|
|
|
|
RUBENS, after Peter Paul
Diana and her nymphs returning from the chase
|
|
|
RUBENS, after Peter Paul
Landscape with a peasant watering two horses
|
|
|
RUBENS, Peter Paul
St Catherine of Alexandria
|
|
|
|
RYALL, R.J.
Her most gracious majesty Queen Adelaide
|
|
|
SADELER II, Aegidius
Three hunters and two dogs near a pool
|
|
|
|
SAVERY, after Roelandt
Three hunters and two dogs near a pool
|
|
|
SCHIAVONE, Andrea
The homage of the young St. John
|
|
|
SCOLARI, Giuseppe
Virgin lamentating the Dead Christ
|
|
|
|
SCULTORI, Diana
The Holy Spirit
|
|
|
|
SCULTORI, Diana
The Saviour Ascending
|
|
|
|
SCULTORI, Diana
Horatius Cocles saving himself in battle
|
|
|
|
SCULTORI, Diana
Latona giving birth to Apollo and Diana
|
|
|
SICKERT, Walter
Jack ashore
|
|
|
SICKERT, Walter
L'armoire à glace (The mirrored wardrobe)
|
|
|
SICKERT, Walter
Little Sally Waters
|
|
|
SICKERT, Walter
Maple Street
|
|
|
SICKERT, Walter
Noctes Ambrosianae (Ambrosian nights)
|
|
|
SICKERT, Walter
The hanging gardens
|
|
|
SICKERT, Walter
The New Bedford
|
|
|
SICKERT, Walter
Venice, the Lion of St Mark
|
|
|
|
SIGNAC, Paul
Saint Tropez: the port
|
|
|
|
SMITH, John
Grinlin Gibbons
|
|
|
|
SMITH, John
The Countess of Ranelagh
|
|
|
|
SMITH, John
William, Duke of Gloucester
|
|
|
|
SMITH, Kiki
Spinster series II
|
|
|
|
SMITH, Kiki
Spinster series V
|
|
|
|
SOUTER, John B.
A lady making lace
|
|
|
|
SPILSBURY, Jonathan
Catherine Macauley
|
|
|
|
STARCKE, C M
French invasion -or- Buonaparte landing in Great Britain
|
|
|
|
STOOP, after Dirk
Charles II (1630-1685)
|
|
|
STRADANUS, after Joannes
A badger hunt
|
|
|
|
STRAWBRIDGE, Allan
Nativity
|
|
|
|
SUTHERLAND, Graham
Hanger Hill
|
|
|
|
SUTHERLAND, Graham
Pecken Wood
|
|
|
|
TÀPIES, Antoni
Clau 10
|
|
|
|
TÀPIES, Antoni
Clau 12
|
|
|
TEMPESTA, Antonio
Joshua ordering the sun to stand still
|
|
|
TEMPESTA, Antonio
The defeat of the Ethiopians
|
|
|
TESTA, after Pietro
King Midas
|
|
|
|
TESTA, Giovanni Cesare
King Midas
|
|
|
TESTA, Pietro
The birth and infancy of Achilles
|
|
|
TESTA, Pietro
The prodigal son among the swine
|
|
|
TESTA, Pietro
The suicide of Cato
|
|
|
TESTA, Pietro
The symposium
|
|
|
TESTA, Pietro
An allegory of painting
|
|
|
TIEPOLO, Giambattista
A woman with her arms in chains and four other figures
|
|
|
TIEPOLO, Giambattista
Punchinello gives counsel
|
|
|
TIEPOLO, Giambattista
Seated woman, young soldier and Magnus
|
|
|
TIEPOLO, Giambattista
The happy satyr and his family
|
|
|
TIEPOLO, Giandomenico
Holy Family escorted by an angel
|
|
|
TIEPOLO, Giandomenico
The triumph of Hercules
|
|
|
TOULOUSE-LAUTREC, Henri de
Aristide Bruant
|
|
|
TOULOUSE-LAUTREC, Henri de
Dress rehearsal at the Folies-Bergère, Emilenne d'Alençon and Mariquita
|
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TOULOUSE-LAUTREC, Henri de
The Englishman at the Moulin Rouge
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TURNER, J.M.W.
Berry Pomeroy Castle
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TURNER, J.M.W.
Mer de Glace
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TURNER, J.M.W.
The Source of the Arveron
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TURNER, J.M.W.
The Mildmay sea-piece
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UNKNOWN
Opus Praxitelis Opus Fidiae
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UNKNOWN
Venus chastising Cupid
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UNKNOWN
Animals
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UNKNOWN
St Quentin
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UNKNOWN
The beheading of Saints Faith, Hope, Charity and Wisdom
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UNKNOWN
Fountains and abnormal beings
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UNKNOWN
Black swans near Rottnest Island (Swartte Swaane drift op het Eyland Rottenest)
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UNKNOWN
St Cyriacus
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UNKNOWN engraver
A fleet of transports under convoy
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van de VELDE II, Jan
August
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van de VELDE II, Jan
March
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van de VELDE II, Jan
October
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van de VELDE II, Jan
Fire
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van de VELDE II, Jan
Water
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van de VELDE, Adriaen
Grazing cow with two sheep
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van de VELDE, Esaias
Farm to the right of a canal
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van der HEYDEN, Pieter
Gluttony (Gula)
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van der HEYDEN, Pieter
Pride (Superbia)
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van der HEYDEN, Pieter
Spring
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van der HEYDEN, Pieter
Summer
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van DOETECUM the Elder, Joannes
Landscape with hunters and falconers
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van DOETECUM, Lucas
Landscape with hunters and falconers
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VAN DYCK, Anthony
Frans Francken, the elder
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VAN DYCK, Anthony
Jan Snellinx
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VAN DYCK, Anthony
Frans Snyders
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van EVERDINGEN, Allart
The draughtsmen at the rock
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van LEYDEN, Lucas
The mocking of Christ
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van OSTADE, Adriaen
A baker sounding his horn
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van RUISDAEL, Jacob
A cottage on a hill
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van RUISDAEL, Jacob
The great beech, with two men and a dog
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van SWANEVELT, Herman
A group of trees
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van UDEN, Lucas
Landscape with a peasant watering two horses
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VANNI, after Giovanni Battista
An apostle accompanied by six angels
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VANNI, after Giovanni Battista
An apostle and four angels
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VICENTINO, attributed to Giuseppe Niccolò
The surprise
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VICENTINO, Giuseppe Niccolò
Hercules and the Nemean Lion
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VICENTINO, Giuseppe Niccolò
Saturn
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VICO, Enea
Bacchanale
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WALKER, Kara
Emancipation Approximation, scene #5
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WARHOL, Andy
Cream of mushroom soup
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WATERLOO, Anthonie
Three fishermen on a small bridge
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WATSON, James
Mary, Lady Boynton
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WATSON, James
Anne, Duchess of Cumberland
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WEBBER, after John
The death of Captain Cook
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WESTALL, after William
View of Sir Edward Pellews Group - Gulf of Carpentaria
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WESTALL, after William
View of the north side of Kangaroo Island
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WHISTLER, James McNeill
Nocturne: the river at Battersea
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WHITE, George
Allan Ramsay
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WIERIX II, Anton
A badger hunt
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WOLGEMUT, Michel
The dance of death
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WOLGEMUT, Michel
Salzburg
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WOLGEMUT, Michel
The Antichrist
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WOODWARD, George M.
Miseries of human life
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WOOLNOTH, William
View of the north side of Kangaroo Island
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ZANI, Pietro
The entombment
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ZUCCARO, after Federico
Justice rewarding the worthy
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